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Julio De Diego (1900 - 1979)
Born in Madrid, Julio De Diego studied there and in Paris and Rome before moving
to the United States in 1924 where he began working in magazine illustration.
His facility for depiction and for working on a large scale soon won him commissions
for public murals such as one for the Hotel Sherman in Chicago, the city where
De Diego lived during the 1930s. He began to exhibit widely, including at the
various annuals at the Art Institute of Chicago where he won a prize in the
1935 Annual Exhibition of American Paintings and Sculpture. During the 1930s
his works featured boldly colored, hard-edged figures, often in fantastical
symbolic settings. De Diego first traveled to Mexico in 1939 where he began
a lifelong friendship with artist Carlos Merida. His works were also exhibited
in the 1939 New York World's Fair, the Golden Gate Exposition of 1939 and the
exhibition Artists for Victory at the Metropolitan Museum of Art in 1942.
Frustrated by his medical rejection from military service in World War II,
De Diego painted a remarkable series of twenty-nine works in two months in
1943. This war series was shown at the Nierendorf Gallery in New York in a
widely praised exhibition entitled Desastres del Alma, after Goya's famous
group of etchings, and was singled out by Art News as one of the earliest and
most important responses to the war by an American artist.
De Diego abandoned his earlier hard-edged style in this series, which shows
the influence of Surrealist work by artists such as Andre Masson, Max Ernst
and Oscar Dominguez. In The bullets were coming kind of close... and The
Dictators Go By, De Diego applied many layers of paint which he then scratched into with
the end of his brush.
Works by De Diego were acquired by the leading corporate collections of the
1940s including IBM, Abbott Laboratories and Encyclopedia Britannica and are
currently in the collections of the Art Institute of Chicago, San Francisco
Museum of Art, Metropolitan Museum of Art, Phillips Gallery, Walker Art Center
and the Santa Barbara Museum of Art.
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